
The 3D printer bed limit becomes a construction rule
A full-size bag will not fit on many accessible printers. MIKU answers with one flexible brick that repeats, connects without glue and can be replaced individually.
Archive
IRZ Creative archive, page 6.

A full-size bag will not fit on many accessible printers. MIKU answers with one flexible brick that repeats, connects without glue and can be replaced individually.

A Billboard Alphabet turns Module Festival into raw material: observe, draw, print, display, then repeat in public.

In Sinu treats site, nearby resources and furniture as one project. The material’s provenance remains visible all the way down to the objects inside.

Jia CURATED brings together 25 models to make air, water, vegetation and site legible. Shrinking a building can enlarge what we understand about it.

Two printable mechanisms replace the guitarist’s hands: one frets, the other plucks six strings. A digital score ends as acoustic vibration.

An ESP32-S3, brass rods, transparent PETG and even a tape-measure wristband: nearly every fabrication choice ends up becoming part of the controls.

With 3,232 portable bytes, a 64 × 32 monochrome display and XOR drawing, CHIP-8 forces programmers to treat machine limits as graphic tools.

Before inventing a new visual language, Ozon Studio used Torso's instruments, studied their interfaces and expanded a small vertical bar that was already sitting inside the logo.

Agata Kurzela Studio treated the museum interiors as material research: raw wool, trials, full-scale mock-ups and collaboration with local makers.

Hiro Sugiyama digitally reworked Hokusai's print. Hundreds of thousands of dahlias now turn it into a temporary 1,680-square-metre image.