
A cartoon elephant makes holiday poverty impossible to hide
Alice Bowsher and Plastic Horse move from brush and ink to After Effects to describe school-holiday financial pressure from a child’s point of view.
Archive
IRZ archive, page 37.

Alice Bowsher and Plastic Horse move from brush and ink to After Effects to describe school-holiday financial pressure from a child’s point of view.

One celebrity, one mundane place, one tiny obsession, four panels. Luke Healy repeats that constraint until it becomes a small engine for encounters that never happened.

A clothes peg, envelope or designer stool can receive the same attention. Julie Jonquet-Caunes builds compositions as collages first, then rebuilds them through drawing.

Described by its creator as the only French proposal on the shortlist, Design I turns fifteen years of work on flows into vertical euros drawn with felt-tip lines and filled with birds.
Nineteen corruption incidents pushed Tailscale and SQLite maintainers to build new diagnostic tools and isolate a rare WAL race condition.

A tiny logo rendering differently leads into Skia and libjpeg-turbo, where Chrome can decode a JPEG directly at a fraction of its original size.
Fresh tried npm, Cargo, Nix, Flatpak, AppImage, AUR, deb and rpm before moving back toward a self-updating static binary.

Type Around Town documents Kolkata’s signs, buses, graffiti and shopfronts before turning the collection into a publication and objects.

Almost every Honest Toil label has been designed by women artists. The brand stays coherent through collaboration rather than one fixed image.

Their rainbow logo became a metal-branding case study. The useful part is how little of it was planned: Party Cannon stacked jokes, cheap props and budget constraints until the audience learned the language too.