Archive
IRZ archive, page 37.
OnePlus Studio does not flatten four backgrounds and four sets of references into a house style. The team lets them collide, then slows down the beginning of each project before deciding what to make.
Ben Ferrick’s Day Display solves a tiny problem with a 2 mm sheet of milled and bent aluminium. At Stupid Engineering, the manufacturing constraint is the product language.
TasmoShelf controls Tasmota devices directly over the local network. Recent ESP32 hardware can join Apple Home through Matter, while one ESP32 can bridge older ESP8266 devices.
Priyanka Narula’s studio uses digital tools to explore complex geometries, then adapts them to the material systems and hand processes of Indian wicker craft.
Cotton, wooden rigs, beadwork, costume and symbolic objects remain legible in the images of Benji Reid and Zana Masombuka. Their fantasy does not depend on hiding how it was made.
For Civic Ceremonial, Lewis Prosser applies basketry and heritage metalwork to the objects of public power. The symbols remain recognizable, but their material changes the authority they project.
The Beginning of Convenience rebuilds an American 1980s and 1990s supermarket with more than 20,000 handmade felt objects.
Since the 1990s, Fumiaki Aono has used abandoned objects as the starting point for repairs that do not attempt to recover the original.
G’MIC 4.0 adds new filters, guided color transfer and creative-coding tools to an open-source framework that keeps exposing composable image-processing primitives.
Tell Me What To See is an ongoing photographic project begun in 2019 about how data, algorithms and automated systems alter what people perceive and decide.