
These photographs are printed to be broken by hand
Kennedy shoots with the second life of the image already in mind: printing, painting, cutting and rebuilding it by hand. Collage changes the photograph before the scissors even arrive.
Archive
IRZ archive, page 38.

Kennedy shoots with the second life of the image already in mind: printing, painting, cutting and rebuilding it by hand. Collage changes the photograph before the scissors even arrive.

Moscoso left architecture but kept its lines, structures and even AutoCAD. She now uses them to build editorial images that begin in ordinary rooms before drifting somewhere stranger.

Bound Species is not a photomontage. Jennifer Latour pierces, joins and balances real stems using skills learned in special-effects makeup, then photographs the temporary species before they wilt.

For Apotropaia, Sungho Bae retrieves plush toys from waste sites, opens them up and rebuilds them around armatures with leather, clay, feathers and ritual objects. Waste comes back as an uneasy guardian.

Good Screens gathers quieter, narrower and more physical devices. Its useful idea: put “fewer functions” back into the designer’s toolbox.

Packing foam, fruit mesh and plastic become bonnets, collars and drapery. Suzanne Jongmans does not hide these materials: she sculpts them, then photographs them like old textiles.

Find The Earth turns personal objects into a printed archive: a two-metre Riso book sorted between things remembered, fading and forgotten.

Ninefold shreds discarded PLA, reprints it as large tuned forms and leaves its color and transparency variations visible. Recycled material becomes part of the acoustic behavior.

A mechanochromic skin turns deformation directly into colors a camera can read. The prototype reaches 100-micrometer resolution without a heavy reconstruction pipeline.

Midjourney began as a small self-funded lab building on open breakthroughs in CLIP and diffusion. What we know about its first models, training costs and shift toward proprietary technology.