
These photographs are printed to be broken by hand
Kennedy shoots with the second life of the image already in mind: printing, painting, cutting and rebuilding it by hand. Collage changes the photograph before the scissors even arrive.
Archive
IRZ Creative archive, page 8.

Kennedy shoots with the second life of the image already in mind: printing, painting, cutting and rebuilding it by hand. Collage changes the photograph before the scissors even arrive.

Moscoso left architecture but kept its lines, structures and even AutoCAD. She now uses them to build editorial images that begin in ordinary rooms before drifting somewhere stranger.

Find The Earth turns personal objects into a printed archive: a two-metre Riso book sorted between things remembered, fading and forgotten.

The Last Museum adds semantic search across collections from thousands of museums. Start with a mood or subject, then return to the institutional source.

Studio Dial often builds the tool before the outputs. Afghan textiles, cocktail motion and urban growth become rules that can produce an identity.

Wet paper, puzzles and sun printing: in Alèxia Ponce’s work, the physical surface does more than add texture. It becomes a rule for motion.

Gorton was designed in 1894 for mechanical routers, not screens. More than a century later, open-source revivals are bringing it back to the machines that inspired it.

A Gaussian Splat can produce convincing views while hiding a bad surface. Gaussian Sculpting binds rendering back to optimized geometry, at a reported cost of 6 to 18 hours per object in the paper's experiments.
MazzikaAI does not retrain its music model. It continuously compiles a musician’s performance, maqam rules and gestures into prompts that steer Lyria RealTime.
Matt Sephton starts with a failed prototype, borrows from old arcade games and lets each design mistake teach his Jinks engine what it actually needs.