This consultation software picked marble over speech bubbles
To reassure regulators and residents at the same time, Open Point built its identity around the chisel and carved stone. The choice says a lot about trust in civic software.
Archive
Creative · page 2
IRZ Creative archive, page 2.
The phone is paper, the payphone sticks out of the painting
In Folded Memories, Estefania Ajcip builds her childhood memories in three dimensions: cardboard maquettes, carved foam, birch plywood and small LEDs. The frame stops closing the scene.
The eraser is fake. The smudge is real.
Grace Baldwin is building a monumental junk drawer filled with fake objects worn like real ones. The series grows a few objects a day, with an inventory partly crowdsourced from her audience.
First cut, then hire
A three-month project lands in a five-week calendar. The way through isn't hiring fast, it's cutting first: what you keep, what you delegate, and what coordination actually costs.
Gaia Alari draws 650 frames by hand because overly clean motion loses something
For Gaia Alari, paper is not a retro prop: every new drawing reintroduces grain, pressure and small differences into motion instead of removing them.
He started by shredding tennis balls. Then he realized that was the mistake
SLICE turns worn tennis balls into footwear without shredding them: 3D-printed guides convert the sphere into repeatable parts while keeping felt bonded to rubber.
Pentagram Delivered the Generator With the Logo
Pentagram built De Bijloke a fluid identity and a simple generative tool its single in-house designer can operate without returning every motion job to the agency.
The screen writes the score. Motors, light and tape make the sound
APPARATUM begins with a score assembled on a screen, but its sound is generated by real magnetic tape, motors and moving optical oscillators.
Tom Sachs does not throw away failed bowls. He keeps their scars
Cracks, blackened rims, gauze and visible repairs remain in Tom Sachs's ceramics. The defect is not erased; it joins the manufacturing record.
This sneaker uses no glue, so a failure can still come apart
UDRB separates its printed sole, leather boot and rope fastening. Repair becomes a local mechanical problem, even though full circularity remains unproven.